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Tamil Nadu, Chola Dynasty, India Tavam (also known as Tava natyam ) is a divine dance performed by the Hindu god Shiva.

Shivas Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution.

While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.

Lord of dance) is considered the supreme lord of dance.

Siva Thandavam Songs In Tamil Series On Shaivism

Part of a series on Shaivism Paramashiva (Supreme being) Shiva Shakti Upanishads (Svetasvatara) Agamas and Tantras Three Components Three bondages Maya Yamas-Niyamas Guru-Linga-Jangam Adi Margam Mantra Margam Saiddhantika Non - Saiddhantika Kashmir Shaivism Kaula: Trika-Yamala-Kubjika-Netra Others Nath VeerashaivaLingayatism The Tandavam takes its name from Tandu ( tau ), the attendant of Shiva, who instructed Bharata (author of the Natya Shastra) in the use of Angaharas and Karanas 2 modes of the Tandava at Shivas order.

Some scholars consider that Tandu himself must have been the author of an earlier work on the dramatic arts, which was incorporated into the Natya Shastra.

Indeed, the classical arts of dance, music and song may derive from the mudras and rituals of Shaiva tradition.

It is one of the few complete collections in existence, commissioned by Satguru Sivaya Subramuniyaswami in the 1980s.

The 32 Angaharas and 108 Karanas are discussed by Bharata in the 4th chapter of the Natya Shastra, Tandava Lakshanam.

Karana is the combination of hand gestures with feet to form a dance posture.

Angahara is composed of seven or more Karanas.

Tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.

The dance is a pictorial allegory of the five principle manifestations of eternal energy: 6 Srishti - creation, evolution Sthiti - preservation, support Samhara - destruction, evolution Tirodhana - illusion Anugraha - release, emancipation, grace Thus Tandava symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death.

Rudra Tandava: A dancer depicting Shiva kicking Yama, the god of Death.

Tandava, as performed in the sacred dance-drama of southern India, has vigorous, brisk movements.

Performed in a violent mood, the dance is called Rudra Tandava.

In the Hindu texts, at least seven types of Tandava are found: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava and Gauri Tandava.

However, some people believe that there are 16 types of Tandava.

How many various dances of Shiva are known to His worshipers I cannot say.

No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy.

Whatever the origins of Shivas dance, it became in time the clearest image of the activity of God which any art or religion can boast of.

Ananda Coomaraswamy 7 The dance performed by Shivas wife Parvati in response to Shivas Tandava is known as Lasya, in which the movements are gentle, graceful and sometimes erotic.

Some scholars consider Lasya to be the feminine version of Tandava.

When Sati (first wife of Shiva, who was reborn as Parvati) jumped into the Agni Kunda (sacrificial fire) in Dakshas Yajna and gave up her life, Shiva is said to have performed the Rudra Tandava to express his grief and anger.

The Shivapradosha stotra says when Shiva performs the Sandhya Tandava, the other gods like Brahma, Vishnu, Sarasvati, Lakshmi and Indra play musical instruments and sing Shivas praises.

Ganesha, the son of Shiva, is depicted as Ashtabhuja tandavsa nritya murtis (Eight armed form of Ganesha dancing the Tandava) in temple sculptures.

Shiva Tandava Stotram is a stotra (Hindu hymn) that describes Shivas power and beauty.

Cited, Nataraja, Manas, UCLA Manohar Laxman Varadpande 1987, p.

Manohar Laxman Varadpande 1987, p.

Bibliography edit Manohar Laxman Varadpande (1987).

History of Indian Theatre.

Abhinav. ISBN 978-81-7017-278-9.

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